the heaven's shake.
Ahhhh...but Mickey was a giant in his day, he invented the violence for violence sake's "men's action" genre and made millions from it.
He was also popular literature's most ludicrous anti-communist zealot (at least until the advent of Allen Drury) reaching his zenith in "One Lonely Night" in which detective-visigoth Mike Hammer roars up and down Manhattan island gunning down reds with little or no concern for the so-called Bill of Rights.
Mickey was a former comic book writer and it really really showed in his preposterously arch tough-guy dialogue. In "The By-Pass Control", secret agent protagonist "Tiger Mann" explains to the reader the intricate differences between a "dame" and a "broad".
Howlers like this abound in almost every single book Spillane ever wrote.
However as I said, he made millions at the writing game, bought himself a mansion in the Carolinas, did beer ads and even played his own creation "Mike Hammer" in the cult film "The Girl Hunters"(1963).
Still and all that, Mickey's greatest contribution to popular literature might have been by proxy; the legend goes that Ian Fleming read "I the Jury" on a flight to Jamaica and instantly decided he could write better thrillers than that!
Thus was born James Bond 007, an incomparably better written slaughterer of reds and sundry villains.
Even if the books were laughable, I think Mickey is somehow having the last laugh on us all.
If Aristotle defines happiness as the full use of one's powers along the lines of excellence, then surely, money, mansion and all, Mickey was a happy man.
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